SEARCH RESULTS FOR: Billy Ray Cyrus
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‘Achy Breaky Heart’, 1992 Known as much for this song as he was for his mullet hairstyle, Billy Ray Cyrus has never been able to escape – nor replicate – the success of this lightweight country pop tune. About as genuine as The Eagles and Garth Brooks combined, it spent 17 weeks at the top of the US country ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Exploding on to a generally lethargic blues scene in 1983 with his Texas Flood album, Stevie Ray Vaughan (1954–90) administered a high-voltage charge that revitalized the blues with his stunning, ecstatic playing and imagination. He took inspiration from the most stylish of his idols – Jimi Hendrix, Buddy Guy, Howlin’ Wolf, Albert King – but it ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

More than any other hard-rock or heavy-metal duo, Iron Maiden guitarists Adrian Smith and Dave Murray (b. 1956) set the standard for twin-guitar harmony lines and riffs. Indeed, their killer riffs and epic songs have helped to make Iron Maiden one of the most influential metal bands of all time. Murray was born in Edmonton, England. Inspired by ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

A slapped upright bass, twanging lead guitar and acoustic rhythm guitar; a blues structure with country and blues inflections; a strong beat and moderate-to-fast tempo; a wild, yelping, often stuttering vocal style, together with plenty of echo on the recordings are the main ingredients of rockabilly. The rockabilly style was an eclectic hybrid of R&B, hillbilly ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1914–93) Billy Eckstine’s smooth baritone voice and suave manner brought his music to a wide audience. He joined pianist Earl Hines in Chicago in 1939 and then led a big band from 1944–47 that many see as the cradle of bebop, although few recordings survive. He was one of the few black singers to be featured on national ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor saxophone, 1921–55) Wardell Gray died in mysterious, drug-related circumstances without fulfilling his immense potential. His control and invention at fast tempos and fluent, swinging style on the tenor saxophone adapted readily to both swing and bebop settings, while his ballad playing was strong in both emotion and tonal warmth. His sadly underweight recorded legacy is largely ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Ray Charles Robinson was born on 23 September 1930 in Albany, Georgia. Blind by the age of seven, he was educated at the Florida School for the Deaf and Blind in St. Augustine, where he studied piano and learned to read music in braille. A Musical Education Shortly after his fifteenth birthday, he was expelled and left ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, b. 1937) James ‘Sunny’ Murray is one of the quintessential free-jazz drummers. His most enduring legacy may be his many recordings with Cecil Taylor and Albert Ayler, which belie his beginnings with stride pianist Willie ‘The Lion’ Smith and swing era trumpeter Henry ‘Red’ Allen. Murray was as melodic on drums as Taylor was percussive on the piano ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Although Robert Cray’s clean, good looks, precise guitar lines and slick presentation earned him some knocks from critics early on in his career (hardcore blues aficionados tended to dismiss him as ‘blues lite’ for yuppies), he later gained their respect for his smart songwriting and razor-sharp guitar licks, along with an intensely passionate vocal style reminiscent of the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The premiere torch-bearer for the blues-rock boom of the 1980s, Texan guitar wizard Stevie Ray Vaughan galvanized a generation of players and fans alike with his pyrotechnic licks and flamboyant stage presence. Connecting deeply with both the psychedelic, ‘voodoo chile’ mystique of Jimi Hendrix and the down-home roadhouse grittiness of his biggest guitar influence, Albert King, Vaughan ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, b. 1951) Branch began playing harmonica at the age of 10, before polishing his onstage technique in Chicago with Big Walter, James Cotton, Junior Wells and Carey Bell. In 1975 he became a sideman for Willie Dixon and then formed Sons of Blues with Lurrie Bell (guitar). Branch continues to front the band and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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